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HOW I FEEL


Ivana de Vivanco
Yan Copelli



New York, NY



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Mark

Ivana de Vivanco


Ivana de Vivanco (b. 1989) is a Chilean-Peruvian artist based in Germany. Her work commonly relies on nonsensical narratives, with mythical tendencies and recurrent characters that violate the intimacy of the private domain through scenarios that seem enlivened by uncanny, dreamlike or even vaguely nightmarish curiosities. Her work has been featured in several publications such as 100 Painters of Tomorrow published in London by Thames & Hudson and has been exhibited in the USA, the United Arab Emirates, Italy, England, Germany, Switzerland, Belgium, Spain, Luxembourg, Poland, and Chile. She was awarded the DAAD, the Heinrich Böll Foundation, and the Cultural Foundation of Saxony grant. In 2015 she was awarded the Marion-Ermer-Prize for young artists in Germany. Most recently her work has been exhibited at the Museum of Contemporary Art in Santiago (CL), Kunsthalle Darmstadt (DE) and The RYDER Projects in Madrid (ES).




The Crown of Thorns or The Cactus Maniac, 2018 – Oil on canvas, 43.3 x 23.6 in Cubist portrait with dentures, 2017 – Oil on canvas, 18.5 x 16.1 in Minor Fringe, 2018 – Oil on canvas, 51.1 x 39.3 in Backyard Party, 2017 – Oil on canvas, 51 x 39.3 in Portrait of a Man with Superposed Smile and English Porcelain, 2017 – Oil on canvas, 33.4 x 43.3 in Preconscious Doric Memory (From the series of Instable Collumns), 2020 – Sculpture – Clay, plaster, wood, resin, foam, pigments, 11 x 9.8 x 7.8 in Bad Camouflage, 2020 – Oil on canvas, 18.5 x 16.1 in Puesta de Gorro, 2020 – Lithograph on paper – Artist Proof from an edition of 10, 11.8 x 9.4 in





Yan Copelli


Yan held his first solo exhibition at Espaço CC in São Paulo, Brazil in 2018 and has participated in several collective exhibitions throughout Brazil in places such as the Rio de Janeiro Federal Justice Cultural Center, A Gentil Carioca Gallery, Rio Grande do Sul State Public Archive, and the Diversity Museum in São Paulo – and also took part in independent exhibitions in France, Spain, United States and Peru. Last year he was invited to join a residency at the University of The Underground – research bureau “If I can’t dance I don’t want to be part of your revolution”,  Amsterdam – Tbilisi.



Red boot, 2019 – Oil on canvas, 39 x 63 in – $2,350 Neck, 2019 – Sculpture – Cold porcelain, Spray paint and resin, 13.7 x 4.7 x 12 in Mechanism #3, 2019 – Oil on canvas, 12 x 12 in Adornment to material, 2019 – Oil on canvas and ABS pearl, 10 x 13.7 in Ballroom, 2019 – Oil on canvas, 23.6 x 23.6 in – $1,200 Foot, 2019 – Oil on canvas, 23.6 x 23.6 in – $1,200 Holiday, 2019 – Oil on canvas, 12 x 12 in





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Mark